Pop-Artwork1.

Pop Art's refreshing reintroduction of identifiable imagery, drawn from media and popular culture, was a major shift for the direction of modernism.

With roots in Neo-Dada and other movements that questioned the very definition of “art” itself, Pop was birthed in the United Kingdom in the 1950s amidst a postwar socio-political climate where artists turned toward celebrating commonplace objects and elevating the everyday to the level of fine art.

American artists Andy Warhol, Roy Lichtenstein, James Rosenquist and others would soon follow suit to become the most famous champions of the movement in their own rejection of traditional historic artistic subject matter in lieu of contemporary society’s ever-present infiltration of mass manufactured products and images that dominated the visual realm.

Owing to the incorporation of commercial images, Pop Art has become one of the most recognizable styles of modern art.

By creating paintings or sculptures of mass culture objects and media stars, the Pop Art movement aimed to blur the boundaries between "high" art and "low" culture. The concept that there is no hierarchy of culture and that art may borrow from any source has been one of the most influential characteristics of Pop Art.